Emphasis will be placed on an open forum, i.e. there will be great flexibility regarding the types of texts that the magazine contains. Short and long articles/texts will be received from various perspectives (academic, aesthetic, musing, statements (manifesto), artistic approaches/methods, discussions, evaluations, etc).

Suggestions may also be made regarding types of texts Subtitles will not be called for articles to emphasize the diversity of the journal.

Issues

- Issue 11 .U.N. (pdf version)

- Issue 10 — (pdf version)

- Issue 9 — (pdf version)

- Issue 8 ‘Id (pdf version)

- Issue 7 ‘Id (pdf version)

- Issue 6 ‘Id (pdf version)

- Issue 5 ‘Id (pdf version)

- Issue 4 ‘Id (pdf version)

- Issue 3 ‘Id (pdf version)

- Issue 2 ‘Id (pdf version)

- Issue 1 ‘Id (pdf version)

The first eight issues of Threads exist only in pdf format, see below.

The website strives to be a platform for:

  • Discourse about music in the Icelandic language
  • Communication of knowledge
  • Preservation of research

With the web publication, we want to increase the activity of research in the field of music, create new opportunities and incentives, and be a center of perspectives within music.

Editorial board
Einar Torfi Einarsson
Atli Ingólfsson
Thorbjörg Daphne Hall

Issue 1
Issue 2
Issue 3
Issue 4
Issue 5
Issue 6
Issue 7
Issue 8
Issue 9
Issue 10
To authors

It is called for content in issue 11.

Text length: 500 - 5000 words

Text submission deadline: 2 March 2026 - Received: threads@lhi.is

Text should be submitted as a .doc/docx file. Image files should be sent separately: 300dpi (.tif, .png, .jpg, .pdf))

Submitted text criteria:

  • Types of texts: academic articles, discussion of compositions, artistic approaches, methodology, translations, artistic manifestos (statements), casual musings regarding the music work/teaching/art of the person or others.
  • The magazine is open to suggestions in each case regarding text types, and examples of reviews or reviews of books, CDs, concerts, festivals, etc. You could also think of source processing or interviews in video form or audio format.
  • Efforts must be made to activate several key concepts regarding the creation of texts and methods to create knowledge and understanding: „reflection“ or reflection (in practice or after implementation), review (of one's own art or that of others), relationships (finding relationships, creating relationships), context, and back-processing/process (what lies behind, environment, ahead).
  • Basic categories: composition/composer, musicology, musicology, performers/performance, other (criticism/discussion/judgment...)
  • Emphasis is placed on an open platform and great flexibility regarding the types of text and submitted content.
  • Authors are encouraged to take advantage of the publication's digital environment and add audio, video and video files.
  • The journal aims to include both peer-reviewed and non-peer-reviewed material.
  • The website emphasizes the Icelandic language, but texts in English will also be received.

Those interested can contact us by email: threads@lhi.is

Contact

You can contact the editorial board via email threads@lhi.is

Send email →

37 articles

  • Threads - Issue 11

  • Condition Atli Ingólfsson
  • Preface Einar Torfi Einarsson
  • Conakry University of the Arts Sigurður Halldórsson
  • Irrational settings beyond the octave Einar Torfi Einarsson
  • Spooky Actuation at a Distance Rory Murphy
  • The experimental music group Skerpla and the Icelandic circus about Ljósagang Berglind María Tómasdóttir
  • About authors
  • Overview
  • Threads - Issue 10

  • Aphex Twin - A Topic Analysis Einar Indra Kristbjargarson
  • Preface Einar Torfi Einarsson
  • Prokofiev and the classic theme models Hróðmar I. Sigurbjörnsson
  • Professor talk about topics - from raw materials to subject? Atli Ingólfsson & Einar Torfi Einarsson
  • Creative AI: a few words about automated and co-operative technology Þórhallur Magnússon
  • The Musical Chairs Framework for Understanding New Audiences and Innovative Practice: An Analysis from the Perspective of the Conductor Majella Clarke
  • About authors
  • Overview
  • Thanks from a car wreck Atli Ingólfsson
  • Threads - Issue 9

  • The effect of socialization on stereotypical roles within the jazz music scene in Iceland Ari Frank Inguson, Rebekka Blöndal and Þorbjörg Daphne Hall
  • DaDom - Daily Dose of Music Sigurður Halldórsson
  • Eurovision is Christmas... Linda Björg Guðmundsdóttir
  • Preface Atli Ingólfsson
  • The riddle music of the Renaissance and the rude Einar Torfi Einarsson
  • Listen carefully Berglind María Tómasdóttir
  • What has the banjo seen? Tumi Árnason
  • The way is the goal Elín Gunnlaugsdóttir
  • Listening Beyond Pauline Oliveros Rachel Beetz
  • To Listen is to Relate is to Sustain Dr. Angela Rawlings
  • About authors
  • Transformation of the form Atli Ingólfsson
  • Overview
  • Þorlák times and musical life of the Middle Ages in Iceland Þórberg Bollason
  • Other material

  • „When the Heart Rides“: Reflections on Icelandic amateur, folk and outdoor musicians Arnar Eggert Thoroddsen
  • All'aure in una lontananza Bára Gísladóttir
  • ATONAL 3.1 - beyond the avant-garde Atli Ingólfsson
  • Preface Tryggvi M. Baldvinsson
  • The composer, the performer, the listener Ø af ecology of contemporary music Berglind María Tómasdóttir
  • A harvest for the Virgin Mary Árni Heimir Ingólfsson
Contact

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