Department of Performing Arts
Department
BA Performing Arts · Contemporary Dance Course · Graduation Projects
Study path
2024
Year
About the project

GRADUATING STUDENTS:

Alice Romberg

Christa Ropponen

Cristina Isabel Agueda

Juulius Vaiksoo

Lea Alexandra Gunnarsdóttir

Leevi Matias Rauhalahti

Olga Maggy Winther

Olivia Teresa Due Pyszko

Sara Lind Guðnadóttir

Vigdís Birna Grétarsdóttir

DON'T LET ME DOWN

Our origins start before we can remember, so inevitably we have to take someone's word for how things began. And though we prize a sense of choice and causality, we are actually unthered, flailing around in space. Pushing against nothing, just to feel our bodies burn. And so we are drifting along in the current of something we don't understand (and the truth is we don't need to understand anything to accept to accept life) a bit of joy, some pain, and the sheer fucking luck of being here at all

Choreographers: VIM VIGOR/Shannon Gillen and Jason Cianciulli

Choreographic collaborator: Katherine Kiessling

Costume & set design: Guðný Hrund Sigurðardóttir

Light design: Ólafur Ágúst Stefánsson

Lyrics: Shannon Gillen

Original Score: Marshall Chadbourne with excerpts from Orville Peck's ‘Fancy’ and an interview of Ruby Baker, an eighty-six year old Appalachian woman from Harlan County, Kentucky from the documentary ‘Soft White Underbelly’.

VIM VIGOR is a physical dance theater company under the artistic direction of Shannon Gillen and co-choreographer Jason Cianciulli. Found as a collaborative think tank, VIM breasts together innovative and originally married artists from around the world to create original, dancing theater. (Chile), DANCEworks (US), Gibney Presents (US), Perry dance (US), Perry dance (US).

www.vimvigordance.com

IN THE END

In The End marks the end of the studies of the BA students of dance at LHÍ. In The End is a dance that reflect the transformative aspect of ends. What is born from the end of something? Is the end of the same as series of different durations dances to create new compositions. This concurrence of dances effects the movement, but this impact does not come from the quality of the evidence, all the changes.

Coreographer: Inga Huld Hákonardóttir

Co-creaton & performance: 3rd year students

Set design: Guðný Hrund Sigurðardóttir

Costume design: Guðný Hrund Sigurðardóttir & Kristrún Rut Antonsdóttir

Live music & composition: Stirnir Kjartansson

Artistic advice & drama: Védís Kjartansdóttir

The work of Inga Huld Hákonardóttir is located in the field of performance and choreography and on occasion branches into music/ concert. Her work generally focuses on seeing friction between the symbolic and the sensorial. Inga graduated from the PRTS, Brussels in 2014 and has been working in the field of performance, with a home base in Brussels since.

http://www.ingahakonardottir.com/