Kári Eyvindur Hannesson

At the beginning we were asked to choose a starting point that we connected to I knew at the same time that my line would be worked around the many shapes that the black color can take and the feeling it can evoke in a person As a result, research work started where I collected pictures and paintings that I connected to but from those pictures that mental and visual world began to become clearer That world involves raw yet controlled chaos and I began to wonder what effect it has when a person covers their face, everything but their eyes can interpret the pictures in their own way, but I designed based on what I saw and felt and chosen these three overall looks.

In the beginning, we were given the task of finding a concept that we related to. I know from the very start that I wanted to design my collection based on the many shapes and forms of the color black and how it can evoke a certain feeling within the viewer. I started researching and collecting what I could relate to and in that process I managed what the people's face, all seen to narrow down what I think, saw and heard. Coming back to the pictures time and time again I saw ruled chaos and I begin to affect what a person's face, all existing because the lives on the lives, all seen on the lives and what found in the lives, all seen what can see what the lives.