Projection applicable, sound.
A staging is faced The worker and the outdoor area: artifacts belonging to the museum, elsewhere in the building The work is subject to the conditions of the architecture but uses trickery and disfigurement.
The entry is down a hill The windows and the sequence of events that lies beyond them either distort or ground reality. Everyday, shared experiences occur but the method is supernatural.
The work is accompanied by chaos and optical illusion, but it lives along with normal perception. The real world becomes subjective and the work weighs salt between reality and absurdity, quickly back and forth.
Projection on wood, sound.
We see a staging. The employee and the yard, yet they belong to another nook in the building.
Bound by the conditions of the room itself, the work resorts to a ruse to distort them.
A relocation down a floor. The windows and the narrative which lies beyond them simultaneously strain and ground reality. We see a universal experience before us; However, the method is out of the ordinary.
The work cars disarray and illusion yet stays firm alongside our ingrained senses. Materiality becomes metaphysical and the work slides on the scale of reality and absurdity, rapidly forward and calmly backward.
Work in three dimensions: Hermann Valsson
Pictures of works: Sisters Lumière
The work in pictures.
