{"id":24898,"date":"2025-05-30T12:00:00","date_gmt":"2025-05-30T12:00:00","guid":{"rendered":"https:\/\/www.lhi.is\/?post_type=threads&#038;p=24898"},"modified":"2026-05-11T14:06:39","modified_gmt":"2026-05-11T14:06:39","slug":"formal-3","status":"publish","type":"threads","link":"https:\/\/www.lhi.is\/en\/thraedir\/thraedir-tolublad-10\/formali-3\/","title":{"rendered":"Preface"},"content":{"rendered":"<section style=\"--overlay-opacity: 30%; --overlay-bg: #000000;\" class=\"hero-section h1-lg\" >\n\t<div class=\"container animation-child-elements\">\n\t\t\t\t\t<\/div>\n\t<figure class=\"bg-visual\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.lhi.is\/wp-content\/uploads\/2024\/04\/threads.jpeg\" class=\"lazyload\" loading=\"lazy\" alt=\"\">\n\t\t\t\t\n\t\t\t<\/figure>\n\t<\/section>\n\n\n\n<div class=\"text-section txt-columns txt-content\"  >\n\t<div class=\"container\">\n\t\t<div class=\"row animation-child-elements animation-bottom\">\n\t\t\t<div class=\"col-md-12\">\n\t\t\t\t<p style=\"text-align: justify\"><span data-contrast=\"auto\">It is certainly a matter of joy that \u00der\u00e1\u00f0i's issues should now finally count by double digits, but the publication has been operating since 2016 and is celebrating its 10th anniversary next year (and there are big plans for that festival in the works). Issue 10 Thra\u00f0i therefore flows here solemnly from a barn with six new articles from various sources. As often before, it is teachers at the LH\u00cd music department who sharpen their pens here, but it is also the students of the department, both current and former, who present their perspectives and reviews.<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">Atli Ing\u00f3lfsson rides the ford and here, in a semi-poetic style, publishes his statement about what art is and its uniqueness in an academic context. Atli is also the second backbone of our conversation about material and subjects and how it manifests itself in different ways within composition.\u00a0<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">Einar Indra then examines the music of one of the main electronic musicians of the last decades, Aphex Twin, with a certain analytical technique that looks mainly at \u2018topic\u2019 or memory.<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">The analysis then continues in the hands of Hr\u00f3\u00f0mar Inga, who directs it to one of the great men of the Russian school, Sergej Prokofjev, and puts it in the context of classical theme and syntax.<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">Majella Clark, who graduated this spring from the NAIP program, gives us an insight into her final project that deals with innovation in the field of band management.<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">The bottom then hits \u00de\u00f3rhallur Magn\u00fasson with reflections on creative artificial intelligence in relation to his research project as well as the current state of artificial intelligence in society.<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">I thank the editorial board for their good and quality work and hope that readers enjoy the writing.<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">fh Thread<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span data-contrast=\"auto\">Einar Torfi Einarsson\u00a0<\/span><span data-ccp-props=\"{&quot;335559739&quot;:120}\">\u00a0<\/span><\/p>\n\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":35,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"wds_primary_threads_cat":0,"footnotes":""},"threads_cat":[267],"class_list":["post-24898","threads","type-threads","status-publish","hentry","threads_cat-thraedir-tolublad-10"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/threads\/24898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/threads"}],"about":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/types\/threads"}],"author":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/comments?post=24898"}],"version-history":[{"count":3,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/threads\/24898\/revisions"}],"predecessor-version":[{"id":25084,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/threads\/24898\/revisions\/25084"}],"wp:attachment":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/media?parent=24898"}],"wp:term":[{"taxonomy":"threads_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/threads_cat?post=24898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}