{"id":35243,"date":"2026-05-27T10:59:33","date_gmt":"2026-05-27T10:59:33","guid":{"rendered":"https:\/\/www.lhi.is\/?post_type=projects&p=35243"},"modified":"2026-05-27T10:59:34","modified_gmt":"2026-05-27T10:59:34","slug":"birna-lara-gudmundsdottir","status":"publish","type":"projects","link":"https:\/\/www.lhi.is\/en\/verkefni\/birna-lara-gudmundsdottir\/","title":{"rendered":"Birna L\u00e1ra Gu\u00f0mundsd\u00f3ttir"},"content":{"rendered":"
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    Birna L\u00e1ra Gu\u00f0mundsd\u00f3ttir
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    The work is based on a study of Icelandic bottom markers from the herring years, where fonts and markings were used to identify barrels in herring processing. The bottom markers are examples of raw craftsmanship and carry with them the history of an industrial society that is now mostly over. In the project, the font form of the bottom markers is analyzed with an emphasis on stenciling, proportions and various flaws created by its use. From the research, I develop a new font inspired by these forms and explore how historical and cultural heritage can be communicated in a book work. The work connects research, design and narrative in visual form.<\/p>\n

    (T.O.N.<\/p>\n

    The project is based on research into Icelandic barrel marks from the herring era, where lettering and symbols were used to identify barrels in the herring industry. These barrel marks are examples of raw craftsmanship and carry with them the history of an industrial society that has come to an end. In the project, the letters of the barrel marks are analyzed with a focus on stencil typography, statements, and the irregularities that emerge through their research, I develop a new type inspired by these forms and explore how historical and cultural heritage can be communicated through public projects, working through research, and cultural heritage can be communicated through research.<\/p>\n

    Photos: Claudio Parada Nunes <\/i><\/p>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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