{"id":33381,"date":"2026-03-16T22:13:47","date_gmt":"2026-03-16T22:13:47","guid":{"rendered":"https:\/\/www.lhi.is\/?post_type=projects&#038;p=33381"},"modified":"2026-04-24T13:05:15","modified_gmt":"2026-04-24T13:05:15","slug":"anna-wielend","status":"publish","type":"projects","link":"https:\/\/www.lhi.is\/en\/verkefni\/anna-wielend\/","title":{"rendered":"Anna Wielend"},"content":{"rendered":"\n<section style=\"--overlay-opacity: 0%; --overlay-bg: #000000;\" class=\"hero-section h1-lg  \" >\n\t<div class=\"container animation-child-elements\">\n\t\t\t\t\t<h1>Anna Wielend<\/h1>\n\t\t\t\t\t<\/div>\n\t<figure class=\"bg-visual\">\n\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/figure>\n\t<\/section>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:46%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1152\" height=\"2048\" src=\"https:\/\/www.lhi.is\/wp-content\/uploads\/2026\/03\/Anna-Wielend-scaled.jpg\" alt=\"\" class=\"wp-image-33374\" srcset=\"https:\/\/www.lhi.is\/wp-content\/uploads\/2026\/03\/Anna-Wielend-scaled.jpg 1152w, https:\/\/www.lhi.is\/wp-content\/uploads\/2026\/03\/Anna-Wielend-900x1600.jpg 900w, https:\/\/www.lhi.is\/wp-content\/uploads\/2026\/03\/Anna-Wielend-450x800.jpg 450w\" sizes=\"auto, (max-width: 1152px) 100vw, 1152px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:54%\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><strong>27.04.26<\/strong> <br>Salurinn T\u00f3nlistarh\u00fas<br><br><br><strong>Flytjendur<\/strong><br>Aoife O\u2019Brien &#8211; voice<br>Graduale Nobili &#8211; choir<br>Sunna Karen Einarsd\u00f3ttir &#8211; conductor<br>Katie Hitchcock &#8211; dance<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">Tumi Torfason &#8211; trumpet<br>Magdalena Lorenz &#8211; violin<br>Fri\u00f0rik \u00d6rn Sig\u00fe\u00f3rsson &#8211; double bass<br>Anna Wielend &#8211; prepared piano<br>Mar\u00ed Kerndle &#8211; video<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Anna Wielend<\/strong><\/strong><br>BA Hlj\u00f3\u00f0f\u00e6rat\u00f3nsm\u00ed\u00f0ar<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anna Wielend&#8217;s artistic work focuses on the mediums of sound and body and their interaction. Her work often revolves around the dissolution of anthropocentric thinking and the relationship to more-than-human beings. Studying music and movement education\/rhythmics at the mdw in Vienna broadened her artistic thinking and sparked her interest in interdisciplinary exchange. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To deepen this, she studied composition with Carola Bauckholt at the ABPU in Linz and with S\u00f3ley Stef\u00e1nsd\u00f3ttir at the LH\u00cd in Reykjav\u00edk. Her first EP \u201anebelnichts\u2018, was released in December 2022. Since May 2023, she has been organizing the retreat Yoga.Natur.Zeit together with Felicia Geber, where she shares her enthusiasm for plants and the connection between somatic practices and working with nature. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anna has worked with ensembles such as Cantando Admont, Duo Merors, AXKAM String Quartet, and Academy Singers. Her works have been performed at venues including the Konzerthaus Wien, Theater am Spittelberg Wien, and Mariendom in Linz. The connection between nature and music is also present in her trio AVEL.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Um verki\u00f0 \/\/ About the piece:<\/strong><br><br><em>tauchgang<\/em> <br>Marine biologist Angelina Ivkic was interviewed for this interdisciplinary artwork. She talks about everyday life in the reef and her experiences in the water as part of her doctoral thesis \u201cCoral reefs in the Red Sea: A comparison between the Pleistocene and the present\u201d [FWF project P 31592-B25]. Further information: <a href=\"https:\/\/corals.univie.ac.at\">https:\/\/corals.univie.ac.at<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Originally, the interview was originally in German, but has been translated into English.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The crocheted corals are inspired by the works of Christine and Margaret Wertheim. They are a symbol and an act of &#8222;becoming-with&#8220; more-than-human beings, as described by Donna Haraway in her book &#8222;Staying with the Trouble&#8220;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\/\/\/<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ABSORBED<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">looking deeply<br>taking in<br>everything what is<br>the poetry of being<br>alive<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><em> <\/em><\/strong><\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.facebook.com\/events\/1445580620385672\/?acontext=%7B%22event_action_history%22%3A%5B%7B%22extra_data%22%3A%22%22%2C%22mechanism%22%3A%22your_upcoming_events_unit%22%2C%22surface%22%3A%22bookmark%22%7D%2C%7B%22extra_data%22%3A%22%22%2C%22mechanism%22%3A%22surface%22%2C%22surface%22%3A%22permalink%22%7D%2C%7B%22extra_data%22%3A%22%22%2C%22mechanism%22%3A%22surface%22%2C%22surface%22%3A%22edit_dialog%22%7D%5D%2C%22ref_notif_type%22%3Anull%7D\">Vi\u00f0bur\u00f0ur \u00e1 Facebook<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n\n\t<section class=\"meta-info-section \"  >\n\t\t<div class=\"container\">\n\t\t\t<ul class=\"meta-info animation-child-elements\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>27.04.26 The hall Music hall PerformersAoife O'Brien - voiceGraduale Nobili - choirSunna Karen Einarsd\u00f3ttir - conductorKatie Hitchcock - dance Tumi Torfason - trumpetMagdalena Lorenz - violinFri\u00f0rik \u00d6rn Sig\u00fe\u00f3rsson - double bassAnna Wielend - prepared pianoMari Kerndle - video Anna WielendBA Instrumental compositions Anna Wielend's artistic work focuses on the mediums of sound and body and their interaction. Her...  <a class=\"excerpt-read-more\" href=\"https:\/\/www.lhi.is\/en\/verkefni\/anna-wielend\/\" title=\"Read Anna Wielend\">Read more \u00bbC\u00bb<\/a><\/p>","protected":false},"author":35,"featured_media":33374,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"wds_primary_departmens_cat":0,"wds_primary_programs_global_cat":0,"wds_primary_global_cat":0,"wds_primary_projects_year_cat":0,"footnotes":""},"departmens_cat":[123],"programs_global_cat":[179,184],"global_cat":[],"projects_year_cat":[300],"class_list":["post-33381","projects","type-projects","status-publish","has-post-thumbnail","hentry","departmens_cat-tonlistardeild","programs_global_cat-tonsmidar-ba","programs_global_cat-utskriftarverkefni","projects_year_cat-300"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects\/33381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects"}],"about":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/types\/projects"}],"author":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/comments?post=33381"}],"version-history":[{"count":5,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects\/33381\/revisions"}],"predecessor-version":[{"id":34220,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects\/33381\/revisions\/34220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/media\/33374"}],"wp:attachment":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/media?parent=33381"}],"wp:term":[{"taxonomy":"departmens_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/departmens_cat?post=33381"},{"taxonomy":"programs_global_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/programs_global_cat?post=33381"},{"taxonomy":"global_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/global_cat?post=33381"},{"taxonomy":"projects_year_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects_year_cat?post=33381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}