{"id":18296,"date":"2024-11-19T13:39:59","date_gmt":"2024-11-19T13:39:59","guid":{"rendered":"https:\/\/www.lhi.is\/?post_type=projects&p=18296"},"modified":"2026-05-13T08:47:45","modified_gmt":"2026-05-13T08:47:45","slug":"kari-eyvindur-hannesson","status":"publish","type":"projects","link":"https:\/\/www.lhi.is\/en\/verkefni\/kari-eyvindur-hannesson\/","title":{"rendered":"K\u00e1ri Eyvindur Hannesson"},"content":{"rendered":"
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    K\u00e1ri Eyvindur Hannesson<\/p>\n\t<\/div>\n<\/div>\n\n\n\n

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    At the beginning we were asked to choose a starting point that we connected to I knew at the same time that my line would be worked around the many shapes that the black color can take and the feeling it can evoke in a person As a result, research work started where I collected pictures and paintings that I connected to but from those pictures that mental and visual world began to become clearer That world involves raw yet controlled chaos and I began to wonder what effect it has when a person covers their face, everything except their eyes. Everyone can interpret the pictures in their own way, but I designed based on what I saw and felt and chosen, these three overall looks.<\/p>\n

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    In the beginning, we were given the task of finding a concept that we related to. I know from the very start that I wanted to design my collection based on the many shapes and forms of the color black and how it can evoke a certain feeling within the viewer. I started researching and collecting what I could relate to and in that process I managed what the people's face, all seen to narrow down what I think, saw and heard. Coming back to the pictures time and time again I saw ruled chaos and I begin to affect what a person's face, all existing because the lives on the lives, all seen on the lives and what found in the lives, all seen what can see what the lives.<\/p>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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