{"id":13315,"date":"2024-06-03T09:59:45","date_gmt":"2024-06-03T09:59:45","guid":{"rendered":"https:\/\/www.lhi.is\/?post_type=projects&p=13315"},"modified":"2024-06-03T09:59:45","modified_gmt":"2024-06-03T09:59:45","slug":"camilla-saeberg","status":"publish","type":"projects","link":"https:\/\/www.lhi.is\/en\/verkefni\/camilla-saeberg\/","title":{"rendered":"Camilla S\u00e6berg"},"content":{"rendered":"
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Camilla S\u00e6berg<\/h1>\n\t\t\t\t\t<\/div>\n\t
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    Undergrowthlings\/The sub-heteriors<\/p>\n\t<\/div>\n<\/div>\n\n\n\n

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    Camilla S\u00e6berg works with oil on canvas as her main art medium In her work, figurative forms often blend that, through the powerful movements of the brush, transform into formlessness In the painting, she explores the relationship between trauma and creation and the aesthetic potential of transforming the influence of the unspoken into a tangible image structure The deep layers of the painting process bring out dreamlike softness in the subjects of her paintings.<\/strong><\/em>
    \n
    \nThe undergrafts
    \nNot even in the light of spring
    \nCould they grow above the shade of the trees.
    \n
    \nMy mother comes from the forest.
    \nShe told me how they made bread from tree bark during times of hunger.<\/p>\n

    \nThey cut the skin off pine trees, dried it, crushed it, and mixed it with rye flour.
    \nThe bread is called Pettuleip\u00e4.
    \n
    \nShe also told me about death in the forest.
    \nCows drowning in swamps
    \nPeople drowning in swamps
    \n
    \nShe told me about the madness and disease
    \nThe diseases and madness of the people who died there.
    \n
    \nYes, I wonder
    \nWhether the trees
    \njust wanted to get his skin back.
    \n
    \nThe sub-cuttings are a poetic rendering of the ancient relationship between people and forest The act of painting becomes an emotional response to semi-stated and semi-imaginary stories that, through the traumatic history of the clan, haunt the contemporary world.<\/p>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t

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    Camilla S\u00e6berg works with painting with oil on canvas as her main medium. In her work,<\/strong><\/em>
    \nfiguration hybrids into amphous forms, guided by the rhythm of gestural brushstrokes. Through painting, she studies the connections between trauma and creativity and the aesthetic potential in transforming the effects of the unspoken into tangible compositions. The subjects in her paintings emerge through dreamlike softness, generally coming into being through the visual process of painting.<\/strong><\/em>
    \n
    \nThe Undergrowthlings
    \nNot even by the light of spring Could outgrow the shadow of trees.
    \n
    \nMy mother comes from the forest.
    \nShe told me how in times of hunger they made bread from the bark of trees.
    \nThey cut off the skin of pines, driven it, ground it and mixed it with rye flour.
    \nThe bread is called Pettuleip\u00e4.
    \n
    \nShe also told me about death in the forest.
    \nCows drowning in swamps People drowning in swamps
    \nShe told me about the madness and disease
    \nDisease and madness
    \nof the people who died there.
    \n
    \nWell I wonder
    \nIf the trees
    \njust wanted their skin back.
    \n
    \nUndergrowthlings is a poetic visualization of the ancient relationship between people and the forest. The act of painting becomes a sympomatic response to traumatic genealogies, of histories half-told and half-imagined haunting the present.<\/p>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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    <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":13,"featured_media":13317,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"wds_primary_departmens_cat":0,"wds_primary_programs_global_cat":0,"wds_primary_global_cat":0,"wds_primary_projects_year_cat":0,"footnotes":""},"departmens_cat":[122],"programs_global_cat":[203,184],"global_cat":[],"projects_year_cat":[178],"class_list":["post-13315","projects","type-projects","status-publish","has-post-thumbnail","hentry","departmens_cat-myndlistardeild","programs_global_cat-ma-myndlist","programs_global_cat-utskriftarverkefni","projects_year_cat-178"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects\/13315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects"}],"about":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/types\/projects"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/comments?post=13315"}],"version-history":[{"count":1,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects\/13315\/revisions"}],"predecessor-version":[{"id":13325,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects\/13315\/revisions\/13325"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/media\/13317"}],"wp:attachment":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/media?parent=13315"}],"wp:term":[{"taxonomy":"departmens_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/departmens_cat?post=13315"},{"taxonomy":"programs_global_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/programs_global_cat?post=13315"},{"taxonomy":"global_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/global_cat?post=13315"},{"taxonomy":"projects_year_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/projects_year_cat?post=13315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}