{"id":21978,"date":"2025-03-12T16:33:31","date_gmt":"2025-03-12T16:33:31","guid":{"rendered":"https:\/\/www.lhi.is\/?post_type=events&#038;p=21978"},"modified":"2025-03-28T14:54:20","modified_gmt":"2025-03-28T14:54:20","slug":"praxis-svidslistathing","status":"publish","type":"events","link":"https:\/\/www.lhi.is\/en\/vidburdur\/praxis-svidslistathing\/","title":{"rendered":"PRAXIS Performing Arts Congress"},"content":{"rendered":"<section style=\"--overlay-opacity: 0%; --overlay-bg: #000000;\" class=\"hero-section h1-lg\" >\n\t<div class=\"container animation-child-elements\">\n\t\t\t\t\t<\/div>\n\t<figure class=\"bg-visual\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.lhi.is\/wp-content\/uploads\/2025\/03\/praxis-FB1-1.jpg\" class=\"lazyload\" loading=\"lazy\" alt=\"\">\n\t\t\t\t\n\t\t\t<\/figure>\n\t<\/section>\n\n\n\n\t<section class=\"meta-info-section\"  >\n\t\t<div class=\"container\">\n\t\t\t<ul class=\"meta-info animation-child-elements\">\n\t\t\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t<h3>Date<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<p>29thMarch 2025<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t<h3>Time<\/h3>\n\t\t\t\t\t\t<p>11:30-17:30<\/p>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t<h3>Location<\/h3>\n\t\t\t\t\t\t<p>LH\u00cd Laugarnes<\/p>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<li>\n\t\t\t\t\t\t<h3>Calendar<\/h3>\n\t\t\t\t\t\t<div class=\"dropdown add-to-calendar-dropdown\">\n\t\t\t\t\t\t\t<a class=\"dropdown-toggle event-dropdown\" type=\"button\" id=\"dropdownMenuButton1\" data-bs-toggle=\"dropdown\" aria-expanded=\"false\">Set in calendar<\/a> \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<ul class=\"dropdown-menu\" aria-labelledby=\"dropdownMenuButton1\" data-popper-placement=\"bottom-start\">\n\t\t\t\t\t\t\t\t<li><a class=\"dropdown-item\" href=\"https:\/\/www.google.com\/calendar\/render?action=TEMPLATE&#038;text=PRAXIS svi\u00f0slista\u00feing&#038;dates=20250329T113000Z\/20250329T173000Z&#038;details=Sko\u00f0a n\u00e1nar https:\/\/www.lhi.is\/en\/vidburdur\/praxis-svidslistathing\/&#038;location=LH\u00cd Laugarnes&#038;sprop=&#038;sprop=name:\" target=\"_blank\"><i class=\"fa-brands fa-google\" aria-hidden=\"true\"><\/i> Google Calendar<\/a><\/li>\n\t\t\t\t\t\t\t\t<li><a class=\"dropdown-item\" href=\"data:text\/calendar;charset=utf8,BEGIN:VCALENDAR%0AVERSION:2.0%0ABEGIN:VEVENT%0AURL:https:\/\/www.lhi.is\/en\/vidburdur\/praxis-svidslistathing\/%0ADTSTART:20250329T113000Z%0ADTEND:20250329T173000Z%0ASUMMARY:PRAXIS svi\u00f0slista\u00feing%0ADESCRIPTION:Sko\u00f0a n\u00e1nar https:\/\/www.lhi.is\/en\/vidburdur\/praxis-svidslistathing\/%0ALOCATION:LH\u00cd Laugarnes%0AEND:VEVENT%0AEND:VCALENDAR\" target=\"_blank\"><i class=\"fa-brands fa-apple\" aria-hidden=\"true\"><\/i> iCal Calendar<\/a><\/li>\n\t\t\t\t\t\t\t\t<li><a class=\"dropdown-item\" href=\"data:text\/calendar;charset=utf8,BEGIN:VCALENDAR%0AVERSION:2.0%0ABEGIN:VEVENT%0AURL:https:\/\/www.lhi.is\/en\/vidburdur\/praxis-svidslistathing\/%0ADTSTART:20250329T113000Z%0ADTEND:20250329T173000Z%0ASUMMARY:PRAXIS svi\u00f0slista\u00feing%0ADESCRIPTION:Sko\u00f0a n\u00e1nar https:\/\/www.lhi.is\/en\/vidburdur\/praxis-svidslistathing\/%0ALOCATION:LH\u00cd Laugarnes%0AEND:VEVENT%0AEND:VCALENDAR\" target=\"_blank\"><i class=\"fa-brands fa-microsoft\" aria-hidden=\"true\"><\/i> Outlook calendar<\/a><\/li>\n\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n<div class=\"text-section txt-columns lpb\"  >\n\t<div class=\"container\">\n\t\t<div class=\"row animation-child-elements animation-bottom\">\n\t\t\t\t\t\t\t\n\t\t\t\t\t<div class=\"col-lg-12\">\n\t\t\t\t\t\t<p>\/\/English below.<\/p>\n<p><strong>Praxis, the performing arts congress of the Iceland University of the Arts, will be held for the second time on Saturday, March 29, 2025.<\/strong> The Congress is a platform for artistic experimentation, knowledge creation, and conversation between the professional forum and the university community Thus, the Congress is a place for the performing arts scene to come together and share methods, research, and think together for the future.<\/p>\n<p><strong>The theme of Praxis 2025 is <em>Directors on Direction - What\/How\/Why.<\/em><\/strong> The main speaker of the parliament is Saana Lavaste, professor of directing at Uniarts Helsinki, the title of her talk <em>Creating three-level situations: The stage, the show and the training process.<\/em><\/p>\n<p>The session begins with the opening and presentation of the Red Square on the first floor of LH\u00cd Laugarnes, and the program begins as a result. Each event lasts 45 minutes and short breaks are expected in between. Coffee and light refreshments will be served.<\/p>\n<p>Praxis is held in the premises of the Iceland University of the Arts at Laugarnesvegi 91, 105 Reykjav\u00edk. Free admission and all welcome. <strong>REGISTRATION <a href=\"https:\/\/forms.office.com\/e\/xm2jn9tWK3\">HERE<\/a>.<\/strong><br \/>\n(3)<\/p>\n<p><strong>Program:<\/strong><\/p>\n<p><strong>11:30-12:00<\/strong> - Opening of Red Square and coffee\/chat<\/p>\n<p>Lecture hall L193:<br \/>\n<strong>12:00-13:00<\/strong> - Saana Lavaste -<em> Creating the three-level situation: The scene, the performance and the production process<\/em><br \/>\n<strong>13:00-13:45<\/strong> - Hallveig Krist\u00edn Eir\u00edksd\u00f3ttir - <em>How Can We Play Together?<\/em><br \/>\n<strong>14:00-14:45<\/strong> - Steinunn Kn\u00fats-\u00d6nnud\u00f3ttir - <em>The sustainable director - consider the existential sustainability of performing artists<\/em><br \/>\n<strong>15:00-15:45<\/strong> - Kevin Kuhlke - <em>When the How is the What in service of the Why<\/em><br \/>\n<strong>16:00-17:00<\/strong> - Panel: Do I need to prepare? - Adolf Sm\u00e1ri Unnarsson, Egill P\u00e1lsson, Gr\u00e9ta Krist\u00edn \u00d3marsd\u00f3ttir, Saana Lavaste &amp; Una \u00deorleifsd\u00f3ttir.<br \/>\n<strong>17:00-17:30<\/strong> - Closure and coffee\/talk<br \/>\n(AD -<\/p>\n<p><strong>More information about Praxis performing arts congress and the speakers can be found <a href=\"https:\/\/www.lhi.is\/en\/rannsoknir\/praxis\/\">HERE<\/a>.<\/strong><\/p>\n<p>\/\/<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"btn-holder animation\">\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/forms.office.com\/e\/xm2jn9tWK3\" target=\"_blank\" class=\"btn btn-lg btn-dark btn-with-ico-link\">REGISTRATION HERE<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"col-lg-12\">\n\t\t\t\t\t\t<p><strong>Praxis, Iceland University of the Arts\u2019 Performing Arts Symposium, will be held for the second time Saturday March 29th, 2025.<\/strong> The symposium is a platform for artistic experiments, knowledge creation and dialogue between the performing arts scene and the academia. Thus, the symposium becomes a place for the Icelandic performing arts scene to come together, share methods and\/or research, and look towards the future.<\/p>\n<p><strong>The theme of Praxis 2025 is <em>Directors on Directing - What \/ How \/ Why.<\/em><\/strong> The keynote speaker of the symposium is Saana Lavaste, Professor of Directing at Uniarts Helsinki, whose talk is titled <em>Creating the three-level situation: The scene, the performance and the production process.<\/em><\/p>\n<p>The program begins with an opening on the Red Square on the first floor at LH\u00cd Laugarnes, after which the program begins. Each lecture is approximately 45 minutes, followed by a short break where coffee and light snacks will be served.<\/p>\n<p>Praxis will take place at Iceland University of the Arts, Laugarnesvegur 91, 105 Reykjav\u00edk. Free admission and everyone is welcome. <strong>REGISTER <a href=\"https:\/\/forms.office.com\/e\/xm2jn9tWK3\">HERE<\/a>.<\/strong><\/p>\n<p><strong>Schedule:<\/strong><\/p>\n<p><strong>11:30-12:00<\/strong> - Opening on the Red Square &amp; coffee\/talk<\/p>\n<p>Lecture hall L193:<br \/>\n<strong>12:00-13:00<\/strong> - Saana Lavaste -<em> Creating the three-level situation: The scene, the performance and the production process<\/em><br \/>\n<strong>13:00-13:45<\/strong> - Hallveig Krist\u00edn Eir\u00edksd\u00f3ttir - <em>How Can We Play Together?<\/em><br \/>\n<strong>14:00-14:45<\/strong> - Steinunn Kn\u00fats-\u00d6nnud\u00f3ttir - <em>The Sustainable Director - Considering Existential Sustainability in the Performing Arts<\/em><br \/>\n<strong>15:00-15:45<\/strong> - Kevin Kuhlke - <em>When the How is the What in service of the Why<\/em><br \/>\n<strong>16:00-17:00<\/strong> - Panel: Do I need to be prepared?<i> \u2013 <\/i>Adolf Sm\u00e1ri Unnarsson, Egill P\u00e1lsson, Gr\u00e9ta Krist\u00edn \u00d3marsd\u00f3ttir, Saana Lavaste &amp; Una \u00deorleifsd\u00f3ttir.<br \/>\n<strong>17:00-17:30<\/strong> - Closing &amp; coffee\/talk<br \/>\n(AD -<\/p>\n<p><strong>More information on the Praxis symposium and the lecturers <a href=\"https:\/\/www.lhi.is\/en\/rannsoknir\/praxis\/\">HERE<\/a>.<\/strong><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"btn-holder animation\">\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/forms.office.com\/e\/xm2jn9tWK3\" target=\"_blank\" class=\"btn btn-lg btn-dark btn-with-ico-link\">REGISTER HERE <\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<section class=\"info-section bg-dark\" id=\"\" >\n\t<div class=\"container animation-child-elements animation-bottom\">\n\t\t\t\t\t<header class=\"title-row\">\n\t\t\t\t\t\n\n\t\t\t\t<h2>Lectures\/\/Lectures<\/h2>\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t<\/header>\n\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t<div class=\"col-lg-10 mx-auto\">\n\t\t\t\t\t<ul class=\"accordion\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t<div class=\"title-opener\">\n\t\t\t\t\t\t\t\t\t<h3>Creating the three-level situation: The scene, the performance and the production process <\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"tag tag-blue\">Saana Lavaste <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"ico-plus\"><\/i>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"drop\">\n\t\t\t\t\t\t\t\t\t<div class=\"hold\">\n\t\t\t\t\t\t\t\t\t\t<p><span data-contrast=\"none\">Saana Lavaste, professor of directing at Uniarts, Helsinki, is Praxis's 2025 keynote speaker Her talk, entitled <\/span><i><span data-contrast=\"none\">Creating three-level conditions: The stage, the show and the training process<\/span><\/i><span data-contrast=\"none\">, assumes the idea that the director's job is to define the situation as a starting point for the artistic process of a working group.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">If dramatic situations are defined based on the six questions (Who, What, Where, When, How and Why), how does the director answer these questions at three different stages of the work?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">How could the same artistic vision be interpreted at all three levels, as well as in the production process?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">How does the director's job change if you shift the main focus of the work from one level (eg the stage) to another (eg the production process)?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">How do questions about themes and topics become reality at these different levels?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">And finally, how does the director's leadership appear at these different levels?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">(T.O.N.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">Saana Lavaste, professor of directing at Uniarts, Helsinki, is the keynote speaker of Praxis 2025. Her talk, titled <\/span><i><span data-contrast=\"none\">Creating the three-level situation: The scene, the performance and the production process<\/span><\/i><span data-contrast=\"none\">, starts from the idea that the work of the director is to define a situation as a starting point for the artistic process of the working group.  <\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">If a dramatic situation is defined by the six questions (Who, What, Where, When, How and Why), how does the director answer these questions in three different levels of the work?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">How could the same artistic vision be expressed on all three levels, as well as on the level of the production process?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">How does the work of the director change if one shifts the main focus of the work from one level (fx the scene) to another (fx the production process)?   <\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">How do questions of theme and subject matter actualize in these different levels?  <\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">And finally, how does the director's leadership manifest in these different levels?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t<div class=\"title-opener\">\n\t\t\t\t\t\t\t\t\t<h3>How Can We Play Together? <\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"tag tag-blue\">Hallveig Krist\u00edn Eir\u00edksd\u00f3ttir <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"ico-plus\"><\/i>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"drop\">\n\t\t\t\t\t\t\t\t\t<div class=\"hold\">\n\t\t\t\t\t\t\t\t\t\t<p><span data-contrast=\"none\">Director and stage writer Hallveig Krist\u00edn Eir\u00edksd\u00f3ttir delivers a talk based on her master's thesis directed by Uniarts, Helsinki, which discusses how to start staging collaborative plays within theater institutions so that they succeed.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">The essay is an attempt to define what can be nurtured when co-creation works are staged, focusing on the responsibility of directors, actors and theater directors, and finding where these three parties can meet despite different needs. Hallveig explores what steps each party can take towards the center, hoping to better define who the center is and who the center can be; with a special emphasis on the director's responsibility in the process. In light of the experience gained from her own co-creation work at the \u00c5bo Svenska Teater in the fall of 2024 and mixed with interviews with various artists, Hallveig tries to take one step closer to normalizing creative processes that do not rely on texts within institutional theaters, and create more space for the unconventional, unknown and non-linear in our best-funded areas.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">(T.O.N.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">Director and performance maker Hallveig Krist\u00edn Eir\u00edksd\u00f3ttir will do a presentation based on her MA thesis in Directing from Uniarts, Helsinki, which discusses how to successfully stage devised performances within theatre institutions.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">The theme is an attempt to define what can be fostered when aiming to stage devised performances, with a focus on the responsibilities of the director, actors and theater manager, and to find where these three parties can meet different needs. Hallveig exhibiting on lessons from her own devised performance at \u00c5bo Svenska Teater in the case of infection with information, was included in the case of information and information, and what it can be; with a special exposure on the report.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t<div class=\"title-opener\">\n\t\t\t\t\t\t\t\t\t<h3>The sustainable director - consider the existential sustainability of performing artists <\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"tag tag-blue\">Steinunn Kn\u00fats-\u00d6nud\u00f3ttir <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"ico-plus\"><\/i>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"drop\">\n\t\t\t\t\t\t\t\t\t<div class=\"hold\">\n\t\t\t\t\t\t\t\t\t\t<p><span data-contrast=\"none\">In this talk, the role of the \u201eDirector\u201c is examined from a new perspective, emphasizing existential sustainability in the creative process of performing arts The concept of the director within different types of performing arts is scrutinized; on stage, offstage, with and without the participation of actors, with the participation of the audience trying to redefine the role of the director in a context that calls for increased awareness of the balance between artistic, social and personal aspects.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">Existentially sustainable performing arts are not only about maintaining the energy and creativity of artists and other participants, but also about scrutinizing power structures and collaborative forms of the performing artsWhat does the director direct? What is the director's moral responsibility? How can artistic creation be thought of as a process that nourishes artists and other participants while also being dynamic and rewarding for visitors?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">The talk is based on the art study \u201eHow Little Is Enough?\u201c which was conducted at the Academy of Dramatic Arts in Malm\u00f6 and highlights possible ways to develop strategies that reinforce existential sustainability in the role of the director The aim is to create a discussion about how new approaches can increase awareness of moral responsibility and support the existentially sustainable working environment of performing artists.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">(T.O.N.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">The Sustainable Director - Considering Existential Sustainability in the Performing Arts<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">This talk explores the role of the director from a new perspective, off stage, with and without actors, and with audibility participation sustainability in the creative process of performing arts. It examples the concept of the director across different forms of performance Byron stage, off stage, with and without actors, and personal dimensions.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">Existently sustainable performance-making is not only about maining the energy and creative drive of artists and participants but also about critically examining power structures and collaborative models in the performing arts. What does the director control? What is their ethical responsibility? How can artistic creation be understood as a process that resources artists and collaborators while also being engaging and impressive for resources?<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">The talk is based on the artistic research project<\/span><i><span data-contrast=\"none\">How Little Is Enough?<\/span><\/i><span data-contrast=\"none\"> conduct at Malm\u00f6 Theater Academy and presents possible approaches for developing methods that support existential sustainability in directing. The aim is to foster discussion on how new perspectives can enhance awareness of ethical responsibility and contribution to a more sustainable working environment for performing artists.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t<div class=\"title-opener\">\n\t\t\t\t\t\t\t\t\t<h3>When the How is the What in service of the Why <\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"tag tag-blue\">Kevin Kuhlke <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"ico-plus\"><\/i>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"drop\">\n\t\t\t\t\t\t\t\t\t<div class=\"hold\">\n\t\t\t\t\t\t\t\t\t\t<p><span data-contrast=\"none\">The popularity of post-dramatic theatre may have reached its peak towards the end of the 20th century, but it has had a lasting impact on modern acting methods For the last 25 years, countless productions have been made of traditional theatre directed using post-dramatic methods These are performances in which the dramatic narrative of a play is visible but belongs to an artistic framework that has its own non-linear rules of play that are also visible In the talk, director and professor Kevin Kuhlke uses his own adaptation of Helene Cixous' play, <\/span><i><span data-contrast=\"none\">Drums on the Dam<\/span><\/i><span data-contrast=\"none\">, to explore how a creative approach between traditional and post-dramatic theatre could make updating relevant to modern audiences Text analysis, conceptual preparation, dramatic research and cultural perspectives will be discussed The talk will also discuss the relationship between post-dramatic theatre and postmodernism in general In addition, examples of an integrated practice process that supports script analysis and staging will be taken through the use of various psychological techniques that help actors fully participate in a postmodern version of Knebel and Stanislavski's active analysis.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">(T.O.N.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">The popularity of post-dramatic theater may have learned its peaks the end of the 20th century, but it has had a reading effect on contemporary theater practice. The last 25 years have seen uncontless productions of dramatic theatre directed with a post-dramatic sense. These are productions in which a play's dramatic narrative is present and comprehensive but results inside an artistic frame that has its own and alternative rules that is also present and comprehensive <\/span><i><span data-contrast=\"none\">Drums on the Dam<\/span><\/i><span data-contrast=\"none\"> to example how a creative rapprochement between dramatic and post-dramatic theater might enhance the attitude to make a production relevant for a contemporary audience. Topics covered will include text analysis, conceptual preparation, dramatic research and cultural considerations. The presentation will touch on the link between post-dramatic theatre and postmodernism in general. It will also give examples of an integrated hearing process that augments detail analysis and stage composition with the use of various physical technologies to help actors fully engineering in a post-modern version of Kneelys' Activity.<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<li>\n\t\t\t\t\t\t\t\t<div class=\"title-opener\">\n\t\t\t\t\t\t\t\t\t<h3>Una \u00deorleifsd\u00f3ttir and Gr\u00e9ta Krist\u00edn \u00d3marsd\u00f3ttir<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"tag tag-blue\">Panel: Do I need to prepare? \/ Do I need to be prepared?<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"ico-plus\"><\/i>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"drop\">\n\t\t\t\t\t\t\t\t\t<div class=\"hold\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"drop\">\n<div class=\"hold\">\n<p><span data-contrast=\"none\">Directors Una \u00deorleifsd\u00f3ttir and Gr\u00e9ta Krist\u00edn \u00d3marsd\u00f3ttir hold a panel on directing under the title <\/span><i><span data-contrast=\"none\">Do I need to prepare?<\/span><\/i><span data-contrast=\"none\"> Different methods of the director's preliminary work and preparation and the interaction between flow and organization will be examined. <\/span><\/p>\n<p><span data-contrast=\"none\">Guests: Adolf Sm\u00e1ri Unnarsson, Egill P\u00e1lsson &amp; Saana Lavaste.<br \/>\n<\/span><\/p>\n<p><span data-contrast=\"none\">\u2014<\/span><span data-ccp-props=\"{}\"> <\/span><\/p>\n<p><span data-contrast=\"none\">Directors Una \u00deorleifsd\u00f3ttir and Gr\u00e9ta Krist\u00edn \u00d3marsd\u00f3ttir will host a panel discussion on directing titled <\/span><i><span data-contrast=\"none\">Do I need to prepare?<\/span><\/i><span data-contrast=\"none\"> They will explore different methods of pre-production and directorial preparation, and the dialogue between the performing arts scene and the academy.<br \/>\n<\/span><\/p>\n<p><span data-contrast=\"none\">Guests<\/span>: <span data-contrast=\"none\">Adolf Sm\u00e1ri Unnarsson, Egill P\u00e1lsson &amp; Saana Lavaste.<\/span><\/p>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\n\t<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":20287,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"wds_primary_departmens_cat":0,"wds_primary_global_cat":0,"wds_primary_events_cat":0,"footnotes":""},"departmens_cat":[124],"global_cat":[],"events_cat":[250],"class_list":["post-21978","events","type-events","status-publish","has-post-thumbnail","hentry","departmens_cat-svidslistadeild","events_cat-praxis-svidslistathing"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/events\/21978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/types\/events"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/comments?post=21978"}],"version-history":[{"count":4,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/events\/21978\/revisions"}],"predecessor-version":[{"id":22401,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/events\/21978\/revisions\/22401"}],"wp:attachment":[{"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/media?parent=21978"}],"wp:term":[{"taxonomy":"departmens_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/departmens_cat?post=21978"},{"taxonomy":"global_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/global_cat?post=21978"},{"taxonomy":"events_cat","embeddable":true,"href":"https:\/\/www.lhi.is\/en\/wp-json\/wp\/v2\/events_cat?post=21978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}